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LikeARRANGING FOR THE PIANO
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INDEX
THE SIMPLE BASS TECHNIQUE: Procedure; Variations for the Application of the Simple Bass Technique; Application Problems; Execution; Practice.
BROKEN CHORD: Broken Tenth; Broken Bass (Forms A, B, and C); Application Problems; Practice.
MELODY TREATMENT: Playing in Octaves; Reinforcement; Ornamentation; Paraphrases; Piano Fills.
“CROSS HAND” ARPEGGIO: Procedure; Variations; Execution; Practice.
CHORDS IN AXIS POSITION: Procedure; Variations; Practice.
BLOCK CHORDS: Procedure; Inversions and Deviations; Practical Considerations; Execution; Practice.
ARTIFICIAL CHORDS: Procedure; Practical Application; Practice.
POINT CHORDS: Procedure; Practice.
FREE VOICINGS: Procedure; Practice.
CHORD SUPERIMPOSITION: Procedure; Practice.
FOURTH CHORDS: Transformation of Chords into Fourths (Qualities), Parallel Fourths; Practice.
HARMONIC DISTORTION: Harmonic Distortion Forms; Practice.
WALKING BASS LINE: Procedure; Practical Considerations; Practice.
ARRANGEMENT STRUCTURE AND SCOPE: Procedure; Practical Considerations; Practice.
APPENDIX I: CHORD SCALES.
APPENDIX II: TABLE OF “CROSS HAND” ARPEGGIOS.
SYMBOL INTERPRETATION GUIDE.
TABLE OF CHORDS.
THE SIMPLE BASS TECHNIQUE: Procedure; Variations for the Application of the Simple Bass Technique; Application Problems; Execution; Practice.
BROKEN CHORD: Broken Tenth; Broken Bass (Forms A, B, and C); Application Problems; Practice.
MELODY TREATMENT: Playing in Octaves; Reinforcement; Ornamentation; Paraphrases; Piano Fills.
“CROSS HAND” ARPEGGIO: Procedure; Variations; Execution; Practice.
CHORDS IN AXIS POSITION: Procedure; Variations; Practice.
BLOCK CHORDS: Procedure; Inversions and Deviations; Practical Considerations; Execution; Practice.
ARTIFICIAL CHORDS: Procedure; Practical Application; Practice.
POINT CHORDS: Procedure; Practice.
FREE VOICINGS: Procedure; Practice.
CHORD SUPERIMPOSITION: Procedure; Practice.
FOURTH CHORDS: Transformation of Chords into Fourths (Qualities), Parallel Fourths; Practice.
HARMONIC DISTORTION: Harmonic Distortion Forms; Practice.
WALKING BASS LINE: Procedure; Practical Considerations; Practice.
ARRANGEMENT STRUCTURE AND SCOPE: Procedure; Practical Considerations; Practice.
APPENDIX I: CHORD SCALES.
APPENDIX II: TABLE OF “CROSS HAND” ARPEGGIOS.
SYMBOL INTERPRETATION GUIDE.
TABLE OF CHORDS.
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